Sunday, November 30, 2008
Maison Theater
Coupe International Awards 2007
lg2boutique
This is a fun advertising campaign from lg2boutique for the Maison Theater. It promotes a series of plays written by well-known authors for an audience of children. Bright colors and handwritten type serves the purpose well.
Saturday, November 29, 2008
JWT
JWT
Communication Arts
I read a profile of one of the art directors of for JWT in Communication Arts and decided to visit the firm's site. I like the type, the colors, the Swiss layout, and even the scrolling navigation bar. Why? Oh, Why? the flashing buttons?! Make them stop! Otherwise, I quite approve.
As an aside, I looked at their JWT Now page and read about their "Lead India Campaign " for the Times of India. I still can't make up my mind about whether it was superbly inspiring or spine-chillingly sinister. The campaign won the Grand Prix at Cannes this year. It started with the Times of India running a full page ad inciting for social change. Celebrities got involved, mass demonstrations were started (the reel doesn't make clear whether they were incited by the campaign itself or if it was a result of grassroot activism). After a long chain of events they had a reality tv competition (American idol-style where the audience got to vote through IMS) in which eight social activists competed for a sum to fund their cause, a scholarship to the JFK School of Global Leadership, and money to fund their campaign as Prime Minister of India!!!!
Prime Minsiter of INDIA!!!! Doesn't India have nuclear capabilities? Doesn't it have like triple the population of the US?! I'm all for ad agencies using their persuasive powers for activism and social change, and I understand that a certain amount of media bias is acceptbale and inevitable, but when the largest English-speaking newspaper in the world is blatantly attempting to create a world leader, shouldn't we be very frightened? VERY FRIGHTENED? Maybe I'm being paranoid. What do you think?
Communication Arts
I read a profile of one of the art directors of for JWT in Communication Arts and decided to visit the firm's site. I like the type, the colors, the Swiss layout, and even the scrolling navigation bar. Why? Oh, Why? the flashing buttons?! Make them stop! Otherwise, I quite approve.
As an aside, I looked at their JWT Now page and read about their "Lead India Campaign " for the Times of India. I still can't make up my mind about whether it was superbly inspiring or spine-chillingly sinister. The campaign won the Grand Prix at Cannes this year. It started with the Times of India running a full page ad inciting for social change. Celebrities got involved, mass demonstrations were started (the reel doesn't make clear whether they were incited by the campaign itself or if it was a result of grassroot activism). After a long chain of events they had a reality tv competition (American idol-style where the audience got to vote through IMS) in which eight social activists competed for a sum to fund their cause, a scholarship to the JFK School of Global Leadership, and money to fund their campaign as Prime Minister of India!!!!
Prime Minsiter of INDIA!!!! Doesn't India have nuclear capabilities? Doesn't it have like triple the population of the US?! I'm all for ad agencies using their persuasive powers for activism and social change, and I understand that a certain amount of media bias is acceptbale and inevitable, but when the largest English-speaking newspaper in the world is blatantly attempting to create a world leader, shouldn't we be very frightened? VERY FRIGHTENED? Maybe I'm being paranoid. What do you think?
Wednesday, November 26, 2008
Converse
Wednesday, November 19, 2008
Commisaires
How International
Paprika
Sorry, Design Army, you have a new rival for my affections. Today I'm in loeve with PAPRIKA. This Canadian firm has been featured in every annual and magazine imaginable. Above are two pieces they created for the art gallery Commissaires.
Tuesday, November 18, 2008
Methodologie
Coupe 107
Clean, simple flash site. Crisp grid-like organiztion and solid blocks of color. The whole site seems to be designed for a small screen format (something I've noticed in quite a few portfolio sites lately). In this case it works, except I only wish the images in the portfolio section were larger. Otherwise, I wonder why make the majority of your audience suffer through micrsocopic text and image sizes now on the off chance that someone may be viewing on a smaller screen some day? Wouldn't a better alternative be to have two versions of the site?
Sid Lee
Coupe 107 and just about every other design annual out there
I love the look and feel of this design studio portfolio site. The type has that clean, blocky look that is all the rage these days. The navigation hierarchy is clear and intuitive. The fact that the subnavigaiton heading is larger than the type on the navigaiton system is a small unexpected touch which I really enjoyed. Flash and html were biht used in the construciton of this site.
Wednesday, November 12, 2008
Mmmm...Cheese
Coupe International Awards 2008
Clever typographic billboard from Taxi for the Canadian Dairy Farmers Association. I love that the e's seem to be laughing. When I was little and I first learned the alphabet, I would always anthropomorphise the letters. I always thought that the lowercase a and e looked like they would be the most fun to hang out with. My, was I a strange child!
Paprika
Tuesday, November 04, 2008
The Young Foundation
AIGA Design Annual 2007, Pentagram
OK. Just one more from Pentagram. This is the logo for a British nonprofit that provides services for children and youth. Using a tree to symbolize growth and stability could have been trite and cliched, but the type-based treatment makes this logo seem fresh and clever.
Curious Pictures
AIGA Design Annual 2006, Pentagram
I've been spending a lot of time looking through the Pentagram website. I love the simplicity of their logos. Most of them have a timeless, deceptively effortless quality to them. Here are two wordmarks that stood out. The one above was developed for GraphicEurope, an annual design conference held in (you guessed it) Europe. Below is a logo for Curious Pictures:
Tharapy Films
Subscribe to:
Posts (Atom)